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Here are all the paintings of Lilla Cabot Perry 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 60065 |
 |
A Snowy Monday |
A Snowy Monday (The Cooperage, Hancock, New Hampshire), 1926
|
| 60066 |
 |
Giverny |
Giverny
|
| 23055 |
 |
Giverny Landscape,in Monet's Garden (nn02) |
c.1897
Oil on canvas
26x32"
R.H.Love Galleries Inc.,Chicago |
| 60062 |
 |
La Petite AngEle, |
La Petite AngEle, II, 1889
|
| 60060 |
 |
Lady with a Bowl of Violets |
Lady with a Bowl of Violets, 1910
|
| 54494 |
 |
Monet-s Garden at Giverny |
mk235
c.1897
Oil on canvas
|
| 60059 |
 |
Self Portrait |
Self Portrait, 1892
|
| 60061 |
 |
Suruga Bay, Azaleas, |
Suruga Bay, Azaleas, 1898 - 1901
|
| 60064 |
 |
The Black Hat, |
The Black Hat, 1914
|
| 60063 |
 |
Woman with a Cat |
Woman with a Cat
|
| 89910 |
 |
Woman with Cat |
Date Unknown date
cyf |
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| Lilla Cabot Perry
|
| American Impressionist Painter, 1848-1933
was an American artist who worked in the Impressionist style, rendering portraits and landscapes in the free form manner of her mentor, Claude Monet. Perry was an early advocate of the French Impressionist style and contributed to its reception in the United States. Perry's early work was shaped by her exposure to the Boston school of artists and her travels in Europe and Japan. She was also greatly influenced by Ralph Waldo Emerson's philosophies and her friendship with Camille Pissarro. Although it was not until the age of thirty-six that Perry received formal training, her work with artists of the Impressionist, Realist, Symbolist, and German Social Realist movements greatly affected the style of her oeuvre. Boston native Lilla Cabot Perry was born on January 13, 1848 to Dr. Samuel Cabot, a distinguished surgeon, and Hannah Lowell Jackson Cabot. What is known of her early life reveals a childhood that allowed her the freedom of exploring her interests and creativity. Perry studied literature, language, poetry, and music. There are a few references to Perry having informal sketching sessions with her friends however she had no formal training in the arts before 1884. As a child she additionally enjoyed reading books and playing sports outdoors. Because of her family's prominence in Boston society,
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